Episode 1107 – NYAD: writing unlikeable characters

September 4, 2024  

Season 11

Your reader doesn’t have to like the protagonist but she does have to empathize with him because if empathy is absent, your story is in trouble. In this episode Melanie and I study conflict triangles and narrative drive, but we also have an interesting side conversation about empathy and likeability. If you’re writing an unlikeable character, or if you’re writing a quiet, character-driven story, this episode is for you. -V

(The following summary was generated by AI.)

Unlocking the Secrets of Conflict Triangles in Storytelling

If you’re a writer, understanding the mechanics of storytelling is crucial to creating engaging narratives that captivate your readers. In our latest podcast episode, we delve into the concept of conflict triangles using the 2023 film “Nyad” as a case study. Directed by Elizabeth Chai Vasaheli and Jimmy Chin, and based on the book “Find A Way” by Diana Nyad, this film provides a rich tapestry of conflicts that are ripe for analysis.

Conflict triangles are a storytelling technique that involves three points of conflict, typically involving a protagonist, an antagonist, and a third element that adds complexity to the narrative. In “Nyad,” the primary conflict is between Diana Nyad and Mother Nature, as she attempts to swim from Cuba to Florida. This external conflict is straightforward: Diana wants to complete the swim, while nature throws obstacles like sharks, jellyfish, and storms in her path.

But what makes “Nyad” particularly interesting is its use of internal conflict. Diana is not just battling the elements; she’s also battling herself. Her internal struggles, driven by her insecurities and her relentless drive to succeed, create a rich, layered character that adds depth to the story. This internal conflict forms another triangle, involving Diana, her shadow self, and nature.

As we discuss in the episode, understanding these layers of conflict can help you create more compelling characters and narratives. External conflicts are visible and straightforward, but internal conflicts add depth and complexity, making your characters more relatable and your story more engaging.

One of the key takeaways from our discussion is the importance of empathy in storytelling. A protagonist doesn’t have to be likable, but they do need to be empathetic. In “Nyad,” the filmmakers struggle with this balance. While Diana’s determination is admirable, her treatment of her team members makes her less sympathetic. This lack of empathy can disengage the audience, highlighting the delicate balance writers must strike.

We also touch on the narrative drive and how it can shift between curiosity and concern. In “Nyad,” the narrative drive dips in the middle, making it challenging to maintain audience engagement. This serves as a cautionary tale for writers: maintaining a strong narrative drive is essential for keeping your readers invested in the story.

So, if you’re looking to enhance your storytelling skills, tune in to our latest episode. We break down the conflict triangles in “Nyad” and offer actionable insights that you can apply to your own writing. Whether you’re a seasoned writer or just starting, understanding these storytelling principles can help you create narratives that resonate with your readers.

Happy writing!