I think I missed the mark with my choice for What When Right this Season. I went with The Outrun because it scored well on ratings sites. Why did this movie get such good ratings when both Valerie and I had trouble staying engaged? It’s a story that has great performances and it handles addiction without judgement. There’s also some parallel story telling in the shape of traditional Orkney fairy tales, which assists the viewer with navigating Rona’s view of the world. This is a puzzling movie but it has

STAYIN’ ALIVE has a 0% rating on Rotten Tomatoes (I didn’t even know that was possible!) so Melanie and I wanted to see if we could figure out where the storytelling in this movie went wrong. And boy, did it give us the giggles. In this episode, we cover everything from missing empathy to missing pants. So come join us, and be sure to let us know what you think of our analysis. -V. (The following summary was generated by A.I.) In the latest episode of our podcast, we explore

We’ve come to the end of another season and that means it’s time for our best advice about the villain’s monologue (what it is, and why it’s essential you have one in your story) and turning points (those unexpected events that create opportunities for you to reveal character). -V. (The following summary was generated by A.I.) In the latest episode of our podcast, we delve deep into the art of storytelling, focusing on two critical elements: the villain’s monologue and turning points. If you’re a writer, understanding these concepts can

I think BLACK BAG misses the mark but it’s one of Melanie’s favourites. So what happens when we disagree on whether, from a craft perspective, a story is working or not? Well, you’ll have to tune in to this week’s episode to find out. One thing I’ll say is that this might be a film that is meant for super fans of the spy genre (i.e., Melanie) because it seems to assume a level of knowledge about the world of espionage that the average viewer (i.e., me) simply doesn’t have.

Primal Fear is a superb film. The novel, by William Diehl, is even better. This is a story to add to your short list of go-to stories to study for absolutely any aspect of the craft. Enjoy! – V. (The following summary was generated by A.I.) In the latest episode of our podcast, we dive into the intricate world of storytelling, focusing on the villain’s monologue in the film ‘Primal Fear.’ This 1996 thriller, directed by Gregory Hoblit, is not only a captivating watch but also a treasure trove for

Ummm … I don’t know what to say to introduce this week’s episode. Perhaps I should start with a simple question, ‘What makes a story un-watchable/un-readable?’ Part of the answer is chickens. If you’d like to know the rest of the answer, then buckle-up and dive in. -M (The following summary was generated by A.I.) In the latest episode of our podcast, we delve into the intricacies of storytelling by analyzing the film ‘Faux’, directed by Garth Davis. This episode is not just a critique of a movie; it serves

THE MIRACLE CLUB is a multiple protagonist, miniplot, story. That means that each protagonist is also an antagonist. Sounds cool, right? But how the heck do you pull it off? Well one of the ways is to give each POV character her own villain’s monologue. This film misses on one character and you just have to hear what happens to the story because of it! Melanie continues her study of turning points and this week, she shows us how they impact a story’s pacing. Don’t miss out! -V. (The following

Valerie’s focus on the villain’s monologue in She Said was always going to be risky because we’d have to hear Harvey Weinstein’s justification but justification requires the villain owning his stuff! What’s interesting is not what’s said but who says it. There’s also differences between the turning points in this movie and the others we’ve watched, and it has a big impact on the story. -M (The following summary was generated by A.I.) In the latest episode of our podcast, we delve into the intricacies of storytelling through the lens

The antagonist drives the middle of a story, so what happens when the antagonist is a really weak character? Well, if you’re a filmmaker and can cast Emilio Estevez. you might get away with it. If you’re a novelist, you’re in trouble. This week, Melanie and I take a look at The Mighty Ducks where the story is thin but the ice is thick. While this movie doesn’t offer up the best example of the villain’s monologue, thankfully, it’s got lots to teach us about turning points. -V. (The following

Mission: Impossible Rogue Nation is a great example of good, straight forward storytelling. Yes, it’s an action movie with big stunts. Yes, you have to suspend your disbelief. Yes, it’s Tom Cruise. But there’s more craft in this movie than meets the eye. This episode, I’ll show you what I mean and Valerie will give her take on the interesting variation of the Villian’s monologue. Just in case anyone was wondering, Valerie and I do our own stunts on the podcast. -M (The following summary was generated by A.I.) In

It’s a brand new season and that means two brand new study topics! In Season 15, I’m studying something called the villain’s monologue and Melanie is studying turning points. Guardians of the Galaxy vol. 3 is one of those films that’s ok as long as you don’t look too closely! There are definitely logic problems but insofar as our study topics are concerned, this movie offers up some valuable craft advice. Enjoy! -V. (The following summary was generated by A.I.) In the latest episode of our podcast, we delve into